Hangup (1974)

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Title : Hangup (1974)
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Hangup (1974)



          Painfully generic Blaxploitation melodrama Hangup provides a minor footnote within film history because it was the last picture helmed by Golden Age stalwart Henry Hathaway, once a reliable director of action movies and Westerns. Exactly none of his former ability is on display here—Hangup has all the momentum and style of a bad TV episode. To be fair, the version screened for this blog is the abbreviated cut that was re-released under the new moniker Super DudeStill, nothing suggests a few extra moments of character development could possibly elevate Hangup into something meritorious, especially because the leading performances by William Elliott and Marki Bey are lifeless. He plays a college student training to be a cop (who somehow snags an undercover gig on a narcotics squad) and she plays his high-school dream girl, now lost in a spiral of drug addiction and sex work. The threadbare plot involves Ken (Elliott) pumping Julie (Bey) for information he can use to nail a big-time supplier named Richards (Michael Lerner). Predictably, close proximity causes Ken and Julie to fall in love. Tragedy ensues.

          Shot in grungy pockets of Los Angeles on a minuscule budget, Hangup plods along at a dreary pace exacerbated by Bey’s and Elliott’s wooden acting. In their defense, it would take a special class of thespian to animate lines such as this one: “I’m hooked on her the same way she was hooked on smack!” Yet at least for its first hour, Hangup is moderately watchable because the hackneyed plot contrivance of a narc falling for a junkie has inherent drama—one can’t help but feel curious about how things will get resolved. Alas, that strength leads to Hangup’s biggest weakness. When there are still more than 20 minutes left to go, the movie wraps up the love story, a glitch made worse because the main villain has also been sidelined. These narrative choices slow the pace nearly to the point of inertia. And then there’s the sleaze factor—or, rather, the lack thereof. Notwithstanding a few topless scenes, Hangup feels chaste and restrained by comparison to, say, Jack Hill’s gonzo Blaxploitation joints. So while an easily offended viewer might find Hangup more palatable than other films from the same genre, serious Blaxploitation fans will be left jonesing for a fix of something rougher.


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